Mauritz Larsson

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Last update: 10.10.2024

// Blog


hello@mauritzlarsson.com
https://www.instagram.com/larssonmauritz/



Education

  • 2021–2024  
    • BFA Visual Communication @ Beckmans College of Design, Stockholm 
  • 2021
    • Art History @ Stockholms Universitet, Stockholm
  • 2020
    • Graphic Design @ Berghs School of Communication, Stockholm
  • 2019–2020
    • Fashion Theory @ Stockholms Universitet, Stockholm

Work

  • 2024  
    • Co-Founder of architecture studio Lars AB
    • Founder of design studio Superbad
  • 2023
    • Internship @ Jacob Dahlgren 
  • 2022
    • Founder of jewellery and apparel brand Kiosk (aka 925.clubbb)
  • Since 2021
    • Freelance designer

Stipends

  • 2024  
    • Stipend awarded by EY Doberman for graduation project “Bestfriends4ever”

Talks

  • 2024  
    • Talk @ Beckmans College of Design on designing exhibition identities 
    • Talk @ EY Doberman on process of design

Exhibitions

  • 2024  
    • Are We There Yet? @ United Nations General Assembly #79, New York
    • Are We There Yet? @ White Space Chelsea, New York
    • BFA Books @ Konst-Ig bookshop, Stockholm
    • Graduation Exhibition @ Beckmans College of Design, Stockholm
    • Aerial Bodies, Scent and Design, Paris
    • Aerial Bodies, Scent and Design, Stockholm
  • 2023
    • New Identities @ Beckmans College of Design, Stockholm
    • Are We There Yet? @ Svenskt Tenn, Stockholm
    • Are We There Yet? @ Uppsala Universitet, Uppsala
    • Are We There Yet? @ Axfoundation, Upplands Väsby
    • Are We There Yet? @ The Beijer Institute, Stockholm
    • Are We There Yet? @ Brittish Embassy in Stockholm

© Mauritz Larsson, 2024

Conversation Pieces

Vases, 2023

Collaboration: Andreas Rehnberg

This project was part of a collaboration between Beckmans College of Design, Svenskt Tenn and the Beijer Institute.
Exhibited at Are We There Yet?, New York, Stockholm & Uppsala.

“Researchers describe antibiotic resistance as The Silent Pandemic. We want to encourage conversations about this complicated and often overlooked issue before it may be too late. We have chosen to represent this with oversized pills. The scale is deliberately exaggerated to emphasise the ongoing overconsumption of the drugs, and purposefully awkward to prompt a conversation regarding a topic that may be difficult to approach.”